Alabama Writers Conclave
newsback.jpg

Blog

Events, readings, competitions and more…

2nd Annual Robinson Jeffers Poetry Festival at Gorham's Bluff
150419-The-View-from-Gorhams-Bluff-1144x857.jpg

OCTOBER. 7. 2017
10:00 - 3:00
$12.00 includes lunch

The Festival will begin at 10:00 AM with a workshop conducted by Barry Marks, followed by lunch at noon, the reading of winning poems, and an open mic. Readers are encouraged to read their own poem or a favorite poem. The Festival will end at 3:00 PM. There will be a reception Friday Night at Deb and Bill Jeffers house at 6:00 PM.

POETRY CONTEST

Winner will receive $250 for the best poem.

Please submit one original, unpublished poem no later than September 22, 2017 (postmarked) The poems may be about any subject, in any style, up to 42 lines (or 500 words if a prose poem). If submitting by regular mail, please send two copies- one with your name and contact information, and one without. IMPORTANT: Poet must be present to win cash prize.  

TO RESERVE YOUR SPACE

To reserve a spot, or to submit poems, send $12.00 to Roger Carlisle. Email by Paypal to wrogercarlisle@gmail.com or snail mail to: 

Roger Carlisle
4312 Overlook Road ,
Birmingham 35222

LOCATION

Gorham's Bluff is a two hour drive north from Birmingham. Lodging is available at the Bluff, in Scottsboro, and in Fort Payne. Please visit the Gorhams Bluff website for lodging reservations. Call the Lodge at 256-451-2787 to reserve overnight accomodations.

Emma Fox talks about writing (and reading) Y.A. fiction.

A brief conversation with AWC’s 2017 Juvenile Fiction Contest winner, Emma Fox.

Your YA novel won the 2017 AWC Juvenile Fiction Prize. Can you give us a little insight into what inspired this story? Any particular images, sights, or sounds? Why?

The Beast of Weissburg began as a loose collection of vivid images that kept clattering around inside my head: a young man holding a wounded fawn...bloody tracks in the snow...the yawning mouth of a cave. I could sense a story, so I followed up on these mental threads by asking myriad questions: Who? Why? What if...? I had recently traveled through the Black Forest region of Germany and the Bavarian Alps, and this experience provided the setting and many of the cultural details of the book.

How do you define “juvenile fiction”? Do you see any sharp lines between juvenile and “YA”? What, if any, is the dividing line for you?

C.S. Lewis famously said that "a book worth reading only in childhood is not worth reading even then." I don't think there is a hard-and-fast line between juvenile and young adult (YA) fiction, or even between YA and adult. When I see adults referring online to their favorite books--the stories that have most impacted their lives--they often include titles that today's publishers would categorize as middle grade or YA (L.M. Montgomery's Anne series, for example). 

I think that a really good story, one that appeals to our common humanity, transcends cut-and-dried age boundaries. Really, the current distinctions between "juvenile" and "young adult" have more to do with length and theme: middle grade books often feature tales of adventure and camaraderie, while many YA titles wrestle with themes of identity, coming-of-age, and finding one's place in the world. YA also often includes an element of romance.

Who is your favorite audience? Who do you hope to reach?

There are a lot of fantastic young people in my life--former students, mostly--and I try to keep them in mind as I write. These young teens are my ideal audience: warm hearts, eager minds, courageous souls. Still, as I said earlier, a good story shouldn't be too tightly bound by age constraints. 

At its core, The Beast of Weissburg is for everyone who fights to do what is right, despite the lies inside their head: the voices that say, You're nobody. You have nothing to offer. You're unlovable and unloved. I want my readers to know that they are seen, heard and loved for who they truly are.

What short stories do you admire the most? Why? What have you learned from them?

Many readers are familiar with J.R.R. Tolkien's Lord of the Rings cycle, but very few have read his short stories, which is a shame. Tales from the Perilous Realm, an anthology of five brief stories (plus some poems), is a great place to start. "Farmer Giles of Ham" is Tolkien at his witty, humorous best, and "Smith of Wooten Major" is probably his best example of pure "faerie" tale. I find anthologies like this one both helpful and fun, because I get to see the author delving into a range of concepts, and trying on various "voices." It's a wonderful way to study an author's technique in microcosm.

Do you have any current projects we should know about? 

I've recently begun work on a YA fantasy set in mid-nineteenth-century Russia. It's a story in which historical and magical worlds intersect, and at times collide, with dire consequences.

*

Emma Fox lives in Birmingham, Alabama with her husband, three young children, and an energetic border collie. Along with her love of books and writing, Emma's passions include art history, dark chocolate, heirloom plants, global travel, and music with soul. The Beast of Weissburg is her first full-length novel. Visit her blog, where she reviews YA fiction, or catch her on Facebook and Pinterest

 

Alina Stefanescu
Alabama State Poetry Society Contests & Mid-Fall Conference.

This October, the Alabama State Poetry Society will host its annual mid-fall meeting in Pell City, Alabama. Both members and non-members are encouraged to attend.

Enter the Poetry Contests for Cash Prizes

Winners for the Poetry Contests will be announced at the October Meeting. Deadline for entry is August 18, 2017. Everyone on the planet is encouraged to submit to these contests. Learn more from the ASPS website.

How to Register for the Meeting

The cost for the conference is $20 for ASPS members and $35 for non-members. Additional and optional costs include:
- $15 for Friday Paddle Boat dinner
- $15 for Saturday catered lunch

You can register for the for the Paddle Boat Tour, Fall Meeting, and catered lunch in one of two exciting ways:
1) online: send Paypal payment to alabamapoets@outlook.com and make sure to include your full name. 
2) sending a snail mail check to ASPS, P.O. Box 2, Pell City, AL 35125.

Email Treasurer Myra Ward Barra at Treasurer@alpoets.org for more information.

Alina Stefanescu
Poet Carey Link talks about books, trees, and wonder

What is your favorite novel?

Annie Dillard’s memoir, Pilgrim at Tinker Creek, is one of my favorite books. Dillard reminds the reader to look for the extraordinary in every day living and that life is a continuum of beginnings and endings. One of my many memories of this book occurs when Dillard remembers hiding a penny as a young child, and drawing arrows on the sidewalk for a stranger to find it.

What inspired you to start writing?

My grandmother encouraged my creativity. She died when I was eleven. I started writing poetry to work through the grief and depression that I experienced as a result of her death.

Do you have (or have you ever had) a muse? If so, who/what?

I don’t have a particular muse. In my opinion, creative inspiration can be found through any experience in daily life.

Are there any poems that are especially important to you?

The poems in Walt Whitman’s Leaves of Grass remind me of how we are all connected to each other and our surroundings.

“To have that feedback reinforces and helps you keep going. That’s my ultimate goal, to share my poetry.”
Carey Link

What is your favorite Alabama plant?

I love the brilliant red maple tree.

Off the top of your head, tell me five words that describe you.

Determined, insightful, curious, genuine, old soul.

Is there any way in which the Alabama Writer’s Conclave has changed or impacted your life?

The AWC community has helped broaden my connection to other Alabama poets and writers. My faith in myself as a poet has been strengthened by the invaluable encouragement and insight of other AWC members.

What are you working on right now?

My poetic sequence, I Walk a Frayed Tightrope Without a Safety Net, about my experience with advanced breast cancer. Poetry has helped to heal my spirit and given me a medium to share my journey with others. I plan to develop my literary sequence into a chapbook.

What is your favorite place in Alabama and why?

My favorite place in Alabama is to be among the trees on Montesano Mountain in Huntsville. I use a wheelchair and have never physically climbed a tree. Climbing trees in my mind gives me peace, freedom, and faith in unlimited possibilities.

As a poet, what do you find yourself needing right now?

Writers should never stop developing their craft. The support and encouragement AWC members give each other is deeply valuable important to me.

You can learn more about Carey and her poetry at the Alabama Writer’s Forum or the Arts Huntsville website.

Alina Stefanescu
Karim Shamsi-Basha, Winner of the 2017 AWC Short Story Contest

As first prize winner of the short story contest, what inspired this story? Any particular images, sights, or sounds? Why?

“A Tale of First Love” is very autobiographical, the same thing actually happened to me. I just retold it.

Dad’s hand on my back while I laid on the bed is something I will never forget. I wrote this because I believe that human love should be honored at all stages of life.

Many fiction authors maintain the line between fiction and nonfiction is a permeable one. Is this true for you? How do you decide when a memory or essay has crossed the line from nonfiction to fiction?

For me, the line is ever so vague and blurry. I use a lot from my own life in my fiction, after all, no one knows me any better!

What short stories do you admire the most? Why? What have you learned from them?

I love Eve’s Diary by Mark Twain, to me he’s a brilliant writer. He goes past what we know and expect, without us even noticing.

Do you have any current projects we should know about? Explain.

I have a novel with agent Rena Rossner with the Deborah Harris Agency in Jerusalem, we just submitted it to publishers. it is about a fifteen-year-old Muslim boy in love with a Christian girl during the civil war in Syria. I want people to stop labeling each other and just love.

What Syrian writers do you admire and wish you could share or translate?

The Syrian writer I admire the most was my father, Kherridean Shamsi-Basha. he was a noted poet in Damascus. Unfortunately translating his work would not work. In Literature, you lose many language merits.

Learn more about Karim from his unique blog, Arab in Alabama, as well as his columns and photographs for various media outlets.

A few questions Larry Wilson, author AWC 2017’s Flash Fiction Contest

What inspired your prize-winning flash piece?

The Unopened Present was inspired by a lonely night during the Christmas season when I was sitting alone drinking. My only decoration was the little Christmas tree I had bought in Key West almost 25 years ago on a Christmas trip with my late wife. The trip’s primarily purpose was to try and patch up a marriage that was a very bad state of disrepair. I’m not sure where the idea for the unopened present came from, but I often think of my daughter who died some four years ago, during the holiday season. The story is very much rooted in my own life.

Did the piece start as a flash or did it morph from a short story or poetic form?

The original draft was something over 1000 words and I had written it for our writing group in Montgomery. I decided to see if I could cut it down to 500 words for the flash fiction category and it turned out, as things often do, that less is more.

What writers inspire you to write flash and how?

My primary writing interest has always been the short story and I find writing something that really affects people in a small number of words a challenge. I have always been a big fan of Ernest Hemingway’s short stories and just recently I was introduced to Sonja Livingston at a Tennessee Mountain Writer’s convention. Sonja’s presentation and her book, Ghostbread inspired me to concentrate more on writing even shorter fiction. I recommend her book to anyone who is interested in flash fiction and creative nonfiction.

When did you begin writing fiction?

I started writing fiction casually in high school and college and then took a long hiatus during my working career. After retirement I joined the Montgomery creative writers group and rekindled my writing. I write because I truly enjoy it and have little interest in commercial success; however, winning a prize in the Alabama Writers Conclave competition is a wonderful ego boost. It is great to be recognized by your peers.

What two short stories or flash pieces do you think every aspiring fiction writer should read?

I highly recommend two of Hemingway’s short stories, Hills like White Elephants and A Clean Well Lighted Place, to all aspiring writers. Not only are they wonderful examples of brevity and show, don’t tell, but there are critical discussions of both stories online just a Google away.

A conversation with 2017 AWC Writing Contest winner, Chervis Isom.

1. What led you to write your first place winning nonfiction piece, “The Stray Cat?”

“I think a lot about memory, not because I have a lot of memory to think about but because my memory bank is so shallow, as shallow as a pond on the pavement after a spring shower. I was trying to remember my earliest memories, and I think my earliest memories were of my age four. This story is perhaps the only memory that stood out as something more than a moment, something that might support a story. So I wrote it recently and I liked it, I liked how I could tell the story and express what I learned from the story, how I grew from what I learned, and to me that is the beauty of the memoir as a form of writing art.”

2. Are you inspired by a particular nonfiction writers or essayists?

“I love the memoirs of Patricia Hampl. She wrote at least four memoirs, each following a different arc or theme of her life. She proved to me that a non-fiction writer could have an impact in creative writing even more than a writer of fiction, and could be just as effective.”

3. How do you balance the need to protect the privacy of loved ones against the passion for telling a good story?

“In my memoir, The Newspaper Boy, I put a note or disclaimer in the front of the book indicating that I had changed some names for obvious reasons. I think that’s all you can do if you want to write about those characters.”

4. What inspired you to write your beautiful first-place-winning poem (which is also, uniquely, a prose poem)? Is poetry a new medium for you? What do you like about it? Why?

“Maybe I’ve spent too many years focused on my work and never opened up my trunk of memories until now… When I lift the lid all I find are scraps of thread scattered here and there, the fabric of the memory having long before dissolved. I have only skeletal memories and I’ve tried to write about a few of those things. Poetry is an ideal medium for skeletal memories, particularly if there is a lesson to be learned or a question to be explored.”

5. What poets have freed or inspired you to write in earnest, or, borrowing Emily Dickinson’s expression, to “tell it slant”?

“My friend Barry Marks is a fine poet and his poems come in all forms and styles and cover a broad range of topics, both mundane and philosophical. I’ve learned a lot from him and his discipline in writing about every conceivable experience. As for a historical poet, I think Emily Dickinson is most impressive. She wrote for years with no publicity and, so far as I know, no encouragement or social contact with other poets for support. Yet her poetry is fresh and original and uniquely inspiring.”

6. Why does poetry matter in our modern commercial culture?

“Poetry is the medium for expressing the truth in a few well selected words designed to please the hearer’s ear, to seize the hearer’s heart, to squeeze tears from the hearer’s eyes. The truth, the emotional truth, that is what matters, and poetry is the medium to achieve it.”

Breathing Life Into Your Creation

A workshop with Kimberly Cross Teter.

You know those characters living in your head? You think you know them, but do you really? Maybe they have a few surprises for you! We’ll take a look at not only putting flesh on the bones of the characters in your work but also putting meaning and motivations in their hearts and minds. Interactive writing exercises will bring you to a deeper level of creating multi-dimensional characters who will come alive for your readers. Whether you have a work in progress or a brand new idea, this workshop will help you strengthen your character development.

KIMBERLY CROSS TETER, a proud Texas native, is a teacher and traveler by nature and a writer by happy choice. Kim completed her debut novel, Isabella’s Libretto, in the Middle Tennessee State University Write program (then known as The Writers’ Loft) in 2013. The next year this YA historical novel was published by longtime AWC member Linda Busby Parker and Excalibur Press of Mobile, AL. Since then, Kim has traveled from coast to coast to speak at literary festivals, conferences, and special events. Visiting schools, however, is her favorite gig!

Kim is an active member of the AWC, the Society of Children’s Book Writers and Illustrators, and the Historical Novel Society. She is a graduate of West Texas A&M University and now lives in Franklin, Tennessee, with a wonderful husband and two feisty canine kids. Three grown human kids have brought her immeasurable happiness — and two grandbabies!

Learn more about Kim at her website.

To attend this workshop — and many others — please register for the 2017 AWC Writer’s Conference. We look forward to seeing you there!

Authors Weiland, Ezell, & Kidd

Join us at Grace Aberdean / This Ol' Thing, Sunday March 11, at 6:30pm, as we celebrate 3 published writers! Shanti Weiland Laura Hendrix Ezell and Jessica Kidd will all read from their selected works!

Shanti Weiland
Shanti Weiland’s book Sister Nun is the 2015 winner of the Negative Capability Press Book Competition. Weiland received her BA in English from the University of California, Davis and later moved to the desert, pursuing a Creative Writing MA at Northern Arizona University. She then traveled to the humid and friendly south, where she earned a PhD in Poetry from the University of Southern Mississippi. She currently teaches writing and literature at The University of Alabama and lives in Birmingham with her wife and pets. 

Laura Hendrix Ezell
Laura Hendrix Ezell's story collection, A Record of Our Debts, was winner of the 2015 Moon City Short Fiction Award. Her work has appeared in McSweeney's, Kenyon Review, Mid-American Review, and other journals. She received an MFA in Fiction from The University of Alabama, and currently works as a school librarian in Birmingham.

Jessica Kidd
Jessica Fordham Kidd is a lifelong Alabamian. She is the associate director of first-year writing at the University of Alabama, and her poems have appeared in Drunken Boat, Storyscape, Tinderbox, and The Paris Review among

Listen to the music picked by the author's that inspired their works and characters:

https://open.spotify.com/user/graceaberdean/playlist/3fom3ntocSZj9ZOBwA46Ok

Good & Refreshments will be provided!

3rd Annual Catfish Literary Festival

We’re looking to reel in some authors! 
 The 3rd Annual Catfish Literary Festival will be held on Saturday, May 27th, 10:00 a.m. to 3:00 p.m. at Athens-Limestone Public Library. This one-day literary festival will feature panel discussions and book readings. Each author and vendor who signs up will have their own tables-space to display books and meet their audience.

How you can get involved:
For $5.00, authors and other vendors share a seven-foot table with one other vendor. They can reserve an entire seven-foot table for themselves for $10.00. The Library provides table-space, seating, and light refreshments. In addition, we will promote the event through social and traditional media. We also have free wi-fi available throughout the library. Authors and vendors are responsible for bringing books, point-of-sale devices, money to make change, and any other items. Displays are encouraged, provided they don’t cause unnecessary distraction or impede on another vendor’s space.

Registration and Payment:
Space is limited, and authors must register in advance through the following web-form: https://goo.gl/je8CBx. Paper copies of the form are available at the library if needed.
Payment must be made by 4:00 p.m., May 20th. Payment can be made with cash, check, or credit card in person at the library, by mail, or over the phone.

Make checks out to Athens-Limestone Public Library. Payments can be mailed to Athens-Limestone Public Library, 603 South Jefferson St., Athens, AL 35611. (Please mark “Attn: Catfish Festival Committee.”)

If you have any questions, please email Kristopher Reisz at KREISZ@ALCPL.ORG or call (256) 232-1233.

We hope you can join us for Limestone County’s only literary festival.

Kristopher Reisz
Head of Reference
Athens-Limestone Public Library
(256) 232-1233